False Trinity Refraction

“A mixed-media visual assemblage translating themes of ‘COKE’ as false refreshment and capitalist deceit, and ‘TRINITY’ as atomic guilt wrapped in god-logic. The piece avoids symbols, focusing on layered abstraction and textural tension. Materials include ice, rusted metal, frayed wires, distressed cloth, and technological fragments. Emphasis on corroded industrial aesthetics, emotional fossilization, and disintegrating structures.”

This assemblage embodies a clash between sleek corporate seduction and the moral erosion of power. "COKE" becomes not a beverage, but an icon of sweetness masking decay. "TRINITY" introduces the divine horror of technological apocalypse. Rusted surfaces, fractured ice, and obsolete circuitry collide—frozen and corroded, as if dug from a future ruin. The cold industrial palette heightens the emotional dissonance, allowing entropy to speak.

In False Trinity Refraction, the artist excavates the psychological fallout of mythic consumption and sanctified destruction. Through a densely textured matrix of ice, rust, and dismantled tech, the piece refuses coherence. Instead, it stages a raw, atmospheric fossil—where the ghost of capital and the guilt of gods melt into one another. Nothing is whole. Everything is tension. A relic not of the past, but of our unraveling present.